Bradley Eng / Audrey Gaussiran / A Fichu Turning

CAD$ 25

10 September 2019 20:00
95 min
Cinquième Salle de la Place des Arts
View on Google Map

Where You're Actually From

Choreographer : Bradley Eng

This performance is a physical exploration of self-identity. In response to the push and pull of expectations, Eng creates a unique vocabulary drawn from a multitude of movement practices including gymnastics, latin ballroom, and martial arts. “Where You’re Actually From” is an embodiment of choice, in the hopes of supporting others towards empowerment.

Distribution

Dancer / performer : Bradley Eng
External eye : Michael Montenaro
Music : Kurtis Mitchell
Costumes : Bradley Eng

For my Relevance

Choreographer : Bradley Eng

Growing up Chinese-French-Canadian in Ottawa Ontario, Bradley Eng has always in some way felt out of place. Divided by two cultures, he was subjected to racial profiling and sometimes racial bigotry from both populations that share half his blood. He struggled to find his place but he knows now that he can create his own culture and identity through his art. He integrates different movement techniques to develop a new movement methodology called Break Even. For my Relevance is born from the accumulation and fusion of Break Even and the stylistic signature of the choreographer. The performance explores the desire to be accepted and understood, to be able to stand strong alone but connected with others, to find his place in the world. These tensions feed a huge driving force that creates unique relationships in this work.

This piece has benefited from a creative residency at studio Flak and at the Place des Arts.

Distribution

Dancer/performer : Bradley Eng, Solana Del Bel Belluz, Solène Bernier, Chéline Lacroix
Coach/external eye/mentor : Michael Montanaro
Music : Kurtis Mitchell

Corrida

Choreographer : Audrey Gaussiran

The creative beginnings of Corrida coincide with the 2015 Bataclan attacks in Paris. This violence touching the artistic world was the point of departure for reflection on terrorism and war. Who are the leaders pulling the strings and what are their motivations? What about those living on the edges of conflict? Inspired by Spanish traditions of corrida and flamenco, Audrey Gaussiran weaves a parallel between war and the tragic sport. The symbolic bull that fights against the torero… This bull motivated by the same brute force that motivates the jihadists that throw themselves into combat without fear of death.

Corrida is a metaphor of war in which the choreographer’s contemporary flamenco melds with contemporary dance and Eastern and Afro-Cuban gestures. This solo explores the violence, the beast within us, the intoxication of power, but also the humanity that resurfaces in the darkest moments. The characters of the torero, the bull, and the woman living at the border of conflict take form.  Abuse of power fuel a parodical gestural language. Fighting, killing, seducing, dying, and rebirth from the ashes through the body and dance.

This piece has benefited from a creative residency at studio Ballet Hop, Louise Lapierre Danse, Studio Z and le Conseil des arts de Montréal.

Distribution

Dancers/performers : Audrey Gaussiran
Coach/external eye/mentor : Inka Strobl, Menka Nagrani
Music : Alex Cattaneo, Jorge Miguel (www.jorgemiguel.com) et Daniel Stone, Chano Dominguez,
Brian Setzer ’68 Comeback Special, Ibeyi.
Costumes : Rebecca Rowe
Lightning : Duy Khoi Nguyen
Photographer : Guillaume Gorrini
Videographer : Stéphanie Lamontagne
Acknowledgements : My partner, Loisirs Bon-Pasteurs.

Women and Cypresses

Choreographer : Cai Glover | A Fichu Turning

Women and Cypresses situates the dancing women within the imagined framework and a  hypothetical storyline devoid of a male presence where women sit atop the fence of gender. Culled from the expanse of an identity where borderlines have blurred, they are the work of their doing. They influence and inspire each other. They have left the oppression of the male presence and table the contents of what it  means to stand before the other, as a woman, when the other is only ever a woman. The choreographer Cai Glover invited his dancers to be inspired by the invigorating aesthetics of Van Gogh’s paintings with their apparent movements, their charged and excessive colors engulfed in erratic swirls, the expressivity of what could otherwise be considered a mundane depiction of a landscape.

Distribution

Dancers/performers : Kennedy Henry, Hailey Hamblin, Caroline Namts, Francine Liboiron, Carson McDougall
Coach/external eye/mentor : Edgar Zendejas
Music : I Kill Giants (soundtrack), Laurent Perez Del Mar

 

Share this page

Patrimoine Canada
CAC
CALQ
Culture et communications québec
CAM
Ville de Montréal